| | | | | before in a good film based on a very interesting story |
| Style icon of Bollywood Feroz Khan was born to an | | | | Oonche Log should definitely be watched for three |
| Afghan father, Sadiq Ali Khan and an Iranian mother, | | | | reasons, a different story, a wonderful clash between |
| Fatima at Bangalore on September 25, 1939.Feroz did | | | | blind father (played by Ashok Kumar) and his police |
| his schooling in the city. He later moved to Mumbai to | | | | officer son (played by Raaj Kumar) because of the |
| make a career in the Hindi film industry. He got a big | | | | younger son (played by Feroz Khan) and good |
| break in the film, Didi (1960), and went on to act in | | | | performances given by all the three actors Ashok |
| many films like Aarzoo, Aadmi Aur Insaan and Safar. | | | | kumar, Raaj kumar and Feroz khan. "Oonche Log" can |
| The actor found him self restricted to doing small | | | | be said as one of the top five performances of Feroz |
| budget action films, and could not join the big league. | | | | Khan as an actor |
| Fed up, Feroz started his own production house and | | | | Few actors have been there in the Hindi cinema who |
| made Apradh (1972)As a young man he moved to | | | | excel very well when pitted against other actors.. Raaj |
| Mumbai, hoping to break into the film business, winning | | | | Kumar, Feroz Khan and Shatrughan sinha etc can be |
| his first part in Didi (1960). The role was, like many of | | | | said as the elite members of this prestigious club. They |
| his parts over the next few years (often in low-budget | | | | shined more in a competitive environment. Feroz |
| thrillers), unremarkable. His breakthrough came in 1965, | | | | Khan's performances in Oonche Log, Safar, Admi aur |
| when he appeared in a pair of releases that showed | | | | Insan, Mela, Geeta Mera Naam and many "Western |
| his versatility. In Oonche Log, he played a tear away | | | | kind" of films and Qurbani are live examples of this |
| that refuses to marry his girlfriend after she falls | | | | hypothesis because he was appreciated in the |
| pregnant; Arzoo, however, is a sickly-sweet romance | | | | presence of actors known for their acting skills or who |
| in which he performed opposite some of India's biggest | | | | were famous stars in their respective eras. FK is |
| stars of the day, propelling him towards the roster of | | | | known more for appearing in those western like flicks |
| Bollywood's A-list. With his swagger and tough-guy | | | | and crime thrillers but he was able to join unusual |
| styling he was compared to American leading men like | | | | projects |
| Clint Eastwood or Steve McQueen | | | | Before Prem agan and Janasheen happened to Feroz |
| He based one typically all-action picture, Dharmatma | | | | Khan, his filmmaking and films both were associated |
| (1975), on Francis Ford Coppola's Oscar-winning film, | | | | with "Paisa vasool" stylish and entertaining films. It was |
| The Godfather, and starred in another as a suave | | | | not the case that he knew only how to present his |
| racing driver who wins the world championship. Later | | | | heroines in a sensual manner but he knew also how to |
| he appeared in a series of cowboy films | | | | present the sensuality of the men of his films. |
| In the late 1960s he thrived as a supporting actor, | | | | As a Director he knew very well how to present his |
| winning the first of many prizes for Aadmi aur Insaan | | | | attractive actors, Feroz Khan, Vinod khanna and |
| (1969), as one of a pair of close friends who fall out | | | | Sanjay dutt. The blast of male or female sensuality did |
| over a girl. Deprived of leading roles, though, Khan | | | | not look forced , Mumtaz in Apradh and Zeenat aman |
| decided to set up his own production company. His | | | | in Qurbani made sensational news as they were |
| debut as producer, and leading man, was Apradh | | | | doing it for a director who knew how to use such |
| (1972), whose plot intertwines the glamorous worlds of | | | | scenes in a convincing manner. Feroz Khan had the |
| Formula One and jewel theft. He won his first Filmfare | | | | eyes to recognize Amjad khan talent in the role of a |
| for Best Actor in supporting role for Aadmi Aur | | | | shrewd police inspector in Qurbani .Apradh, |
| Insaan (1969). By then, Sanjay had managed to get a | | | | Dharmatma and Qurbani remain three shining films of |
| break in Bollywood as well. Both the brothers worked | | | | Feroz Khan as a director. As a director Feroz Khan |
| together in the successful film Mela (1971) | | | | paved a certain path in the 70s on which Directors like |
| He married to Sundari in 1965 and they became | | | | Mukul Anand walked in the 80's. He played the perfect |
| proud parents of Laila and Fardeen. Despite objections | | | | foil for Rajesh khanna in Safar, Rajendra kumar in |
| raised by an Islamic Moulvi, Feroz and Sanjay got their | | | | Aarzoo, Dharamendra in Aadmi aur insaan, Sunil |
| children married to non-Islamic families. Laila was | | | | dutt and many-many actors .He won a Filmfare for |
| married to Rajpal, while Fardeen married Natasha | | | | best supporting actor in "Aadmi aur insaan" and was |
| Madhwani, the daughter of Mayur and Mumtaz | | | | nominated for best supporting actor for International |
| He lived a public life, he lived it as he pleased without | | | | crook. |
| being judgmental about others or caring what others | | | | Apradh, Qurbani, Dharmatma, Jaanbaz all had good |
| thought about him, he would be surrounded by a lot of | | | | music, he had a great combination with |
| people and and yet there was a distance he created, | | | | Kalyanji-Anandji. Also many of them were pretty |
| where he could objectively see things as they were. | | | | stylish and quite Westernized...Also liked most of his |
| He remembered each and every single day of his | | | | curry Westerns, Khote Sikkey, Kala Sona, Chandi sona |
| struggle, right from the time of his pool playing days to | | | | all of them quite entertaining |
| his struggle in the early years of his in the film business. | | | | He was also the "Cowboy" of the film industry with |
| A very well read man, his favorite however remained | | | | films like Khota Sikkey etc. He pasteurized his songs |
| Oscar Wild | | | | very well. The song "Har kisi ko nahi milta" with Sridevi |
| His biggest turn on, wasn't the obvious but it was | | | | holding the mike amidst clouds with remain forever |
| music, he would transform into a child when he would | | | | etched in my memory as they used to play it on |
| create songs or hear them endlessly dancing away, | | | | Chitrahar every week |
| enjoying every lyric and note. He lived a full life, | | | | He bought the rights of ‘Nayakan ' and remade it |
| celebrating each and every occasion as if it were the | | | | as ‘Dayavaan' thereby enabling one of the best |
| greatest moment of his life, he had many regrets in life, | | | | on-screen kisses between Vinod khanna and |
| and he achieved it because he was brave | | | | Madhuri dixit. |
| He never got bored in his entire life because he never | | | | Feroz Khan would always be remembered for the |
| did anything he didn't enjoy….brilliant words to describe | | | | way he used Style in his movies & made a |
| a life-lover like Feroz..Feroz mara nahin karte… | | | | statement. His stylish shot taking ability needs expert |
| Feroz Khan was fantastic personality and truly | | | | discussion. Arial shots in Dharmatma, while horses are |
| epitomized the grandeur and glamour of that Film | | | | running at the land of Afghanistan were so fascinating |
| Industry. Love him or hate him but you simply could not | | | | and the light and color combination of his films were |
| ignore. How can anyone forget "Qurbani"? The original | | | | quite attractive. |
| style icon and a man we should all look up to for have | | | | Fans used to whistle as in "Safar" as an introduction |
| the courage to live his life on his terms. feroz saab | | | | every week for my radio music and talk show, "The |
| was style and elan personified. | | | | Sanjay Kumar Show". Feroz struggled more than his |
| Feroz khan started his career in B Grade movies and | | | | brother but he proved that with hard work you can |
| quickly progressed to the top playing in such movies | | | | accomplish anything. Qurbani was the biggest hit of |
| like Safar and Aadmi aur Insaan for which he won… | | | | that year. Some bought the same type of Mercedes |
| the best supporting actor Filmfare. It was in Apradh | | | | that was smashed up by Feroz in the film. His way of |
| that he debuted as a director, followed by the highly | | | | Speaking and Acting was definitely his own. In Safar, |
| stylish, Godfather influenced, Dharmatma, where he | | | | even though it is considered primarily a Rajesh Khanna |
| showed his visual genius – the buzkashi scene is | | | | film, that Feroz stole the scenes. His love for ‘Neela' |
| one of the best ever to be captured on camera in | | | | (Sharmila Tagore) in Safar was very deep and she did |
| Indian cinema (done decades later in Mukul Anand's | | | | not return the feelings. It was similar to Gone with the |
| Khuda gawah). As if in Dharmatma, Feroz found his | | | | wind .We can remember his words at the beginning of |
| touch, he followed it up with the biggest hit of his | | | | the Qurbani credits that he dedicated to Sanjay |
| career… Qurbani. It was virtually impossible to get a | | | | Gandhi who passed away just before the film's |
| ticket to Qurbani in the first few weeks of its release | | | | release. |
| In Qurbani, Feroz Khan can also be credited with | | | | In the 1980s he acted less, and directed more, but his |
| bringing Disco to Hindi cinema and making it popular. | | | | productions were flops as often as hits, and by 1992 |
| With an amazing eye for visuals and cinematography | | | | he had decided to take a break from the industry. |
| and music, he was instrumental in bringing in many | | | | After Yalgaar (1992), Khan took a break from films. |
| talented artists to cinema including the late Nazia | | | | For six years, he did not act or produce films. In 1998, |
| Hassan and Biddu .But for the avid movie watcher, | | | | he launched his son Fardeen in Prem Agan The film |
| who's followed the 70s and 80s Hindi cinema, Feroz | | | | flopped and Khan went back into a shell. He made an |
| Khan holds a special place in their hearts for the | | | | acting comeback in Janasheen in 2003. His last film |
| crazy Cowboy rides he provided in such movies as | | | | was Anis Bazmee's super hit Welcome |
| Khottey sikkey, Geeta mera Naam, Kala sona, | | | | His comeback was hit by the news that he had |
| Shankar sambhu and so many more. | | | | cancer, and his final screen appearance was in the |
| Feroz Khan had a Charming personality and a good | | | | comedy crime caper Welcome (2008), in which he |
| voice but in spite of having a dashing personality | | | | plays a mafia boss in Dubai. |
| required to play the leading man's roles, Hindi | | | | The original Style Icon and a man we should all look up |
| filmmakers did not offer him big films as a solo hero | | | | to for have the courage to live his life on his terms. |
| and he decided to pave the way himself and became | | | | Jahan rasta nahin koi wahan mein banaunga,meri |
| the director and the producer with a crime thriller | | | | zindagi se milein jinhe huaslon ki talash ho |
| Apradh. Feroz Khan along with Dev Anand took a | | | | Feroz khan died of cancer at his Bangalore farm |
| charge to make fast paced Crime thrillers in 70s | | | | house on this day 27th April 2009. |
| Before taking the decision to become a director he | | | | This stylish actor and filmmaker will be remembered at |
| had appeared in some good films but he was | | | | times and perhaps worth of his directed films will be |
| contributing there as one of the multiple heroes. He | | | | assessed properly now when he is away from any |
| was very well appreciated as romantic lover and | | | | kind of criticism and praise .The most suave & |
| husband of Sharmila Tagore in Safar. He excelled in | | | | stylish personalites that Indian cinema has seen so far. |
| the role of a sensitive lover and a jealous husband and | | | | Physically he may be no more, but the legend lives on |
| the son | | | | in our memories!!! |
| He had already proved his worth as an actor much | | | | |