Discover the power of American Viper cars


Detroit Iron as Rolling Art

Some of the Detroit Iron manufactured after'instant on' instead of waiting for the tubes
WWII until about 1980 can be consideredto warm up. In the sixties, FM radio
Rolling Art. Several Companies like Packard,appeared, and at first offered ad and DJ free
Hudson and Studebaker ceased building carsprogramming. That of course didn't last long
for one reason or another during the earlyonce the bandwidth became entrenched. By the
part of this span, but they and theseventies there were 8 track tape players
traditional big 3, Ford, GM and Chrysler didwhich in fairly short order gave way to
turn out some masterpieces. As a kid just oldcassettes. 1959 marked the pinnacle of the
enough to think about getting a driversauto as jet sporting gigantic rear fins, the
license, I would sit in my tree house andultimate appearing on the 1959 Cadillac with
fantasize about the latest crop of finnedthe 1959-60 Chrysler and DeSoto not far
behemoths pictured in the car magazines ofbehind. In another year the DeSoto would
the time. After careful consideration I woulddisappear from showrooms and go the way of
rank them according to style and featuresthe Packard, Hudson and Nash. A sobriety of
that I could really relate to and desired tosorts gripped automakers after the fin and
possess. Always decisions. Should I have twinchrome extravaganza passed. Some really
rear antennas and dual spotlights or wouldclassy designs were introduced in the early
one of each do. Wire wheels were really neatsixties like the 1960 Pontiac, 1961 Buick,
as were the two and three tone paint jobs. I1962 Cadillac and classic 1964 Ford. Chrysler
ended up choosing the most streamlined andCorporation would, from time to time,
elegant looking as my favorites alwaysintroduce industry leading stratagems. Their
deferring to clean rather than clutter. IHemi (hemispherical head) Motor during the
wasn't one for fuzzy dice hanging from thefifties was pure muscle and reliability as
rear view mirror, instead preferring powerwas their Torqueflight transmission. They
windows and air conditioning. Of course Iintroduced the 'Forward Look' in the later
always opted for the biggest V8 option andfifties which lead styling trends for awhile.
always dual exhaust both for easy engineThen again in 1965 they offered some really
breathing and the sound. The late 1940's andsturdy and classy cars that towards the end
early 50s saw the transition from stodgy,of that decade lead to the innovative
subdued and functional to a more sleek andfuselage cars. These were large sleek
powerful motif which, year after year duringmachines with an air frame sculptured look
the 1950's, became a size, power and chromethat I found quite attractive. Unfortunately
enhancement race. While some models wentChrysler quality control started slipping
overboard with various excesses making theirbadly during this period and didn't recover
designs overburdened or clumsy, othersfor many years. By the late seventies things
managed to integrate fins, masses of chromestarted going downhill in Detroit.
and color schemes that were a delight. AllAutomakers, paying little attention to
the manufacturers had their winners andquality control and mechanical efficiencies
losers but American cars of the period werefound themselves mandated by legislation to
all individually identifiable and definitelyclean up their act, literally. As a result,
distinct and could roll down a super highwayall manner of schemes were employed to reduce
without a care. The straight 6 and 8 motorsengine emissions, most, in the early days, a
of earlier periods soon gave way in the moremaze of vacuum lines and fuel injection
deluxe models to V8's, which couldn't pulldesigns that were cumbersome and mostly ill
stumps like the old high torque low rpmconceived, leading to a myriad of problems
straight eights, but could more lithely moveand customer dissatisfaction. It wasn't long
a couple of tons of iron, glass and plasticthereafter that the Japanese stepped in to
down the road. By the mid 1950's all Americanfill the void and things have never returned
cars had settled on 12 volt electricalto the days of American auto manufacturing
systems, 14 or 15 inch wheels, wrap aroundpreeminence. Granted American cars eventually
windshields, and with the V8 motor now theimproved dramatically but market share by
entrenched favorite. It was a time inthen was fragmented. I personally lost
American history when each new car year wasinterest in Detroit around the mid eighties
greeted with excitement and anticipation asalthough some really nice cars have been
each model sought to capture the limelightproduced since. Now, I am afraid, because of
with its own distinct identity. Prioritiesthe fickle nature of Americans, demanding
were simple if not naive. Dazzle the customerSUV's and consuming a hugely disproportional
with great expanses of sheet metal andamount of the worlds resources, the twin
chrome, brilliant colors and lots of buttonsfailings of overindulgence and lack of
to push. Although mundane items like seatforesight in the face of world realignment,
belts were introduced as selling featureshas pushed MoTown automakers to the brink of
from time to time, the consumer wanted noneinsolvency. The 1950s through the seventies
of that as it didn't add any value as asaw the apex and beginning of decline of the
status symbol. Slowly technologicalAmerican auto as a distinct form of rolling
improvements did advance along withart. A combination of art deco and modern
convenience and power options. Radial tiresgave way to downsizing and competition from
were a big plus adding smoothness, safety andabroad. Complacent management also failed to
longevity replacing thumping, rapid treadembrace, in a timely fashion, new concepts of
wear and numerous flats. Disc brakes were aquality control, preferring to market their
definite safety advantage replacing thevehicles through planned obsolescence. No
inferior drum and shoe method that could fadedoubt, some of the greatest American
in emergency situations. Automaticmasterpieces in rolling art were created
transmissions became the option of choice andduring the 1920s and 30s, however, the height
then ultimately became standard equipment.of Auto Americana, where form and function
And of course, radios evolved. In the midtook on whole new dimensions of vim and
fifties, signal seek or 'wonderbar' AM radiosverve, the 1950s, seems to have marked the
were introduced, followed soon thereafter bypeak of empire as well as one of its most
the transistor models which allowed fordistinctive products.



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